Saturn Devouring His Son is the most remarkable fresco by Francisco Goya that belongs to Black Paintings timespan of his career. The painter suffered from deaf illness and used to paint on the walls of his homestead. This fresco exactly was illustrated in the dining area. His bleak perception mirrored his agony and these paintings were an extract of the feelings which embodied that dark lapse of time. The lurid fresco shows the striking image of Saturn unfolded from the murk. The dead body is immovable and deceased. The Saturn has already eaten his head and arm. Saturn’s eyes are protruded from his profile as he get ready to devour and scratch his child’s body. His fear of being dethroned from his children is clearly revealed. The dismaying depiction was presumably affected by baroque style. The exceptional fresco often represent emotive portrayals and dreadful subjects. The defeatist frame of mind expressed from the painter towards mankind throw back his fears and revelation about the social events during those years.
The Saturn’s son being masticated to death and this sanction a symbolic resemblance to be distributed. It is conceivably this alternation that make this fresco so notable and unforgettable. Additionally, the frenziedly and argent colour of Saturn’s hair indicate an ageing person. The Saturn’s intimation emerge to be a kind of hysteria, gazing into the emptiness with his eyes opened. The child’s body has been grasp tightly from Saturn’s fingers, causing blood bleeding out from his hands. This deeply grip reveals that there is clearly no bolt for freedom for the child. The assault occurs in a blacken environs, like in the forgotten mountains, where no rescuer will ever come for his victim. The fresco is vital to our comprehension of the mankind surroundings and feelings in modern times during times insufferable of the wars.
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